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A SHIFT IN THE ETHICS OF HARDY'S FICTION 1
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A SHIFT IN THE ETHICS OF HARDY'S FICTION 1
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Journal Article
A SHIFT IN THE ETHICS OF HARDY'S FICTION 1
2017
Overview
[...]they bear marks of their labour on their persons, whether this means carrying newborn sheep (for Gabriel the shepherd turned bailiff) or being dyed a devilish shade of red (for Diggory the reddleman). [...]of suppressing his consciousness of the value objects have or are likely to have for him, he fails in his ability to preserve his own life. [...]when Grace hears 'a faint noise amid the trees, resembling a cough' in the storm that causes Giles's death, she assumes that what she has heard (the location of the sound) has told her all she needs to know. In both the scene in which Tess stands on the thresher tying sheaves of corn and the scene in which she is about to be raped, she loses her margins, imbibes the essence of her surroundings, and assimilates herself to them. Because she does not maintain her consciousness and freedom of movement, however, this three-stage activity does not produce an impartial experience of her environment.
