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La danse, la métaphore d'une identité palestinienne minoritaire en Israël
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La danse, la métaphore d'une identité palestinienne minoritaire en Israël
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La danse, la métaphore d'une identité palestinienne minoritaire en Israël
La danse, la métaphore d'une identité palestinienne minoritaire en Israël
Journal Article

La danse, la métaphore d'une identité palestinienne minoritaire en Israël

2018
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Overview
This article examines the first novel by the translingual writer Sayed Kashua who, unlike most Palestinian writers in Israel, publishes exclusively in Hebrew. We will highlight through the exploration of Dancing Arabs, an unknown Palestinian writing in Hebrew, a novel which narrates multiple and complex identities in Hebrew while borrowing the subject of belonging and minority identity from the Arab-Palestinian novel. If it is impossible for S. Kashua to write in literary Arabic, it is, however, impossible for him not to write in Hebrew and not to narrate identities. As a minor author, S. Kashua tried with his first literary attempt, to shape a Palestinian character centred in a logic of mimicry: he draws nothing, he creates nothing. He reproduces the Jewish-Israeli man as his resemblance.