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THE SEASONS IN LATE MEDIEVAL LITERATURE: MUTABILITY AND METAPHORS OF GOOD AND EVIL 1
THE SEASONS IN LATE MEDIEVAL LITERATURE: MUTABILITY AND METAPHORS OF GOOD AND EVIL 1
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THE SEASONS IN LATE MEDIEVAL LITERATURE: MUTABILITY AND METAPHORS OF GOOD AND EVIL 1
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THE SEASONS IN LATE MEDIEVAL LITERATURE: MUTABILITY AND METAPHORS OF GOOD AND EVIL 1
THE SEASONS IN LATE MEDIEVAL LITERATURE: MUTABILITY AND METAPHORS OF GOOD AND EVIL 1
Journal Article

THE SEASONS IN LATE MEDIEVAL LITERATURE: MUTABILITY AND METAPHORS OF GOOD AND EVIL 1

1998
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Overview
Les saisons suscitent dans ('imagination littéraire du moyen Ðge en Angleterre bien des façons d'exprimer la dimension morale et spirituelle de la vie humaine. Malgré ¡'absence de saisons dans te livre de la Genese, les divisions de ľannée et les vicissitudes du elimat sont perçues comme le reflet du contraste entre ľ ordre divin et la vulnérabilité de l'homme. Dans Sir Gawain, le Troilus de Chaucer, le Testament de Henryson et le mystėre de la Nativitě (Towneley), le symbolisme traditionnel des saisons est inversé : le printemps, qui promet ľespoir, mene au chagrin ; et ľhiver, qui fait craindre la mort, mene à ľespoir : la naissance du Christ, la survie de Gawain par la connaissance de soi.