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Memoria y posmemoria en El taller de Nona Fernández: la representación de la dictadura a través de la metaficción y la autoficción
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Memoria y posmemoria en El taller de Nona Fernández: la representación de la dictadura a través de la metaficción y la autoficción
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Journal Article
Memoria y posmemoria en El taller de Nona Fernández: la representación de la dictadura a través de la metaficción y la autoficción
2023
Overview
Nona Fernandez (1971) is a well-known Chilean writer associated with the generation \"de los hijos\" [literature of sons and daughters]: writers born and/or raised during the dictatorship years, who started publishing in the post-dictatorship era. Most of their production is about the historical memory of their country's recent past. In the play El taller (2012), Fernandez reflects a particular chapter of the relationship between art, dictatorship, and memory in Chile: the case of writer and agent Mariana Callejas and the literary workshop she directed in her home/intelligence headquarters-torture center. This paper presents an interpretative analysis of how this episode –previously visited by a Pedro Lemebel's chronicle and by a Roberto Bolaño's novel– is revisited by playwright Nona Fernandez, who uses strategies such as metafiction, autofiction and literary hybrid genres to discuss memory from the contemporary scenic art.
