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Monstrous Opera
by
Charles Dill
in
18th century
/ Abbreviation (music)
/ Amour (musical)
/ Antoine (musician)
/ Aria
/ Armide (Gluck)
/ Candide
/ Castor et Pollux
/ Chansonnier
/ Charivari
/ Chiaroscuro (music)
/ Comic opera
/ Composer
/ Critical edition (opera)
/ Daft
/ Declamation
/ Dieu
/ Doggerel
/ Dramaturgy
/ Droll
/ Early music
/ Epic poetry
/ Epigram
/ Fairy tale
/ For Example
/ France
/ French opera
/ Gabriel Bonnot de Mably
/ Genre
/ Genres & Styles
/ Grand manner
/ Hippolyte et Aricie
/ Irony
/ Jacques Lacan
/ Jean Racine
/ Jean-Jacques Rousseau
/ Jean-Philippe Rameau
/ Jeux
/ La Jalousie
/ Les Indes galantes
/ Libretto
/ Monologue
/ MUSIC
/ MUSIC / General
/ Music Is
/ Music theory
/ Musical setting
/ Musical syntax
/ My Prayer
/ Narrative
/ Opera
/ Opera- AVG
/ Orfeo ed Euridice
/ Phrase (music)
/ Plot device
/ Poetry
/ Prolongation
/ Pure Music
/ Querelle
/ Querelle des Bouffons
/ Quibble (plot device)
/ Rameau, Jean Philippe, 1683–1764. Operas
/ Reality principle
/ Reinterpretation
/ Roland Barthes
/ Satire
/ Seriousness
/ Silliness
/ Song and Dance
/ Sophocles
/ Stuttering
/ Tonality
/ Traditional story
/ Tragedy
/ Tragedy in music
/ Verisimilitude (fiction)
/ Vocal music
/ Writing
/ Zoroastre
2014
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Monstrous Opera
by
Charles Dill
in
18th century
/ Abbreviation (music)
/ Amour (musical)
/ Antoine (musician)
/ Aria
/ Armide (Gluck)
/ Candide
/ Castor et Pollux
/ Chansonnier
/ Charivari
/ Chiaroscuro (music)
/ Comic opera
/ Composer
/ Critical edition (opera)
/ Daft
/ Declamation
/ Dieu
/ Doggerel
/ Dramaturgy
/ Droll
/ Early music
/ Epic poetry
/ Epigram
/ Fairy tale
/ For Example
/ France
/ French opera
/ Gabriel Bonnot de Mably
/ Genre
/ Genres & Styles
/ Grand manner
/ Hippolyte et Aricie
/ Irony
/ Jacques Lacan
/ Jean Racine
/ Jean-Jacques Rousseau
/ Jean-Philippe Rameau
/ Jeux
/ La Jalousie
/ Les Indes galantes
/ Libretto
/ Monologue
/ MUSIC
/ MUSIC / General
/ Music Is
/ Music theory
/ Musical setting
/ Musical syntax
/ My Prayer
/ Narrative
/ Opera
/ Opera- AVG
/ Orfeo ed Euridice
/ Phrase (music)
/ Plot device
/ Poetry
/ Prolongation
/ Pure Music
/ Querelle
/ Querelle des Bouffons
/ Quibble (plot device)
/ Rameau, Jean Philippe, 1683–1764. Operas
/ Reality principle
/ Reinterpretation
/ Roland Barthes
/ Satire
/ Seriousness
/ Silliness
/ Song and Dance
/ Sophocles
/ Stuttering
/ Tonality
/ Traditional story
/ Tragedy
/ Tragedy in music
/ Verisimilitude (fiction)
/ Vocal music
/ Writing
/ Zoroastre
2014
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Do you wish to request the book?
Monstrous Opera
by
Charles Dill
in
18th century
/ Abbreviation (music)
/ Amour (musical)
/ Antoine (musician)
/ Aria
/ Armide (Gluck)
/ Candide
/ Castor et Pollux
/ Chansonnier
/ Charivari
/ Chiaroscuro (music)
/ Comic opera
/ Composer
/ Critical edition (opera)
/ Daft
/ Declamation
/ Dieu
/ Doggerel
/ Dramaturgy
/ Droll
/ Early music
/ Epic poetry
/ Epigram
/ Fairy tale
/ For Example
/ France
/ French opera
/ Gabriel Bonnot de Mably
/ Genre
/ Genres & Styles
/ Grand manner
/ Hippolyte et Aricie
/ Irony
/ Jacques Lacan
/ Jean Racine
/ Jean-Jacques Rousseau
/ Jean-Philippe Rameau
/ Jeux
/ La Jalousie
/ Les Indes galantes
/ Libretto
/ Monologue
/ MUSIC
/ MUSIC / General
/ Music Is
/ Music theory
/ Musical setting
/ Musical syntax
/ My Prayer
/ Narrative
/ Opera
/ Opera- AVG
/ Orfeo ed Euridice
/ Phrase (music)
/ Plot device
/ Poetry
/ Prolongation
/ Pure Music
/ Querelle
/ Querelle des Bouffons
/ Quibble (plot device)
/ Rameau, Jean Philippe, 1683–1764. Operas
/ Reality principle
/ Reinterpretation
/ Roland Barthes
/ Satire
/ Seriousness
/ Silliness
/ Song and Dance
/ Sophocles
/ Stuttering
/ Tonality
/ Traditional story
/ Tragedy
/ Tragedy in music
/ Verisimilitude (fiction)
/ Vocal music
/ Writing
/ Zoroastre
2014
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Monstrous Opera
2014
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Overview
One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator.
In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas.
Monstrous Operailluminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster.
Originally published in 1998.
ThePrinceton Legacy Libraryuses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher
Princeton University Press
Subject
ISBN
140086481X, 9781400864812, 0691604142, 0691044430, 9780691604145, 9780691044439, 0691633339, 9780691633336
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