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Modernism, media, and propaganda
Modernism, media, and propaganda
eBook

Modernism, media, and propaganda

2006,2008,2007
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Overview
Though often defined as having opposite aims, means, and effects, modernism and modern propaganda developed at the same time and influenced each other in surprising ways. The professional propagandist emerged as one kind of information specialist, the modernist writer as another. Britain was particularly important to this double history. By secretly hiring well-known writers and intellectuals to write for the government and by exploiting their control of new global information systems, the British in World War I invented a new template for the manipulation of information that remains with us to this day. Making a persuasive case for the importance of understanding modernism in the context of the history of modern propaganda, Modernism, Media, and Propaganda also helps explain the origins of today's highly propagandized world. Modernism, Media, and Propaganda integrates new archival research with fresh interpretations of British fiction and film to provide a comprehensive cultural history of the relationship between modernism and propaganda in Britain during the first half of the twentieth century. From works by Joseph Conrad to propaganda films by Alfred Hitchcock and Orson Welles, Mark Wollaeger traces the transition from literary to cinematic propaganda while offering compelling close readings of major fiction by Virginia Woolf, Ford Madox Ford, and James Joyce.
Publisher
Princeton University Press
Subject

20th century

/ Advertising

/ Aesthetic Theory

/ Aestheticism

/ Alfred Hitchcock

/ Anti-imperialism

/ Atrocity propaganda

/ Aventure Malgache

/ Citizen Kane

/ Code word (figure of speech)

/ Colonialism

/ Coventry Patmore

/ Cultural hegemony

/ Culture and Society

/ Culture industry

/ D. H. Lawrence

/ Decolonization

/ Defamiliarization

/ E. M. Forster

/ English fiction

/ English fiction -- 20th century -- History and criticism

/ English, Irish, Scottish, Welsh

/ Essay

/ European

/ Ford Madox Ford

/ Frantz Fanon

/ Great Britain

/ Herbert Read

/ High modernism

/ History

/ History and criticism

/ Ideology

/ Imperialism

/ Information overload

/ Information Research Department

/ Jacques Ellul

/ Jingoism

/ Joseph Conrad

/ Journalese

/ Journalism

/ Language & Literature

/ LITERARY CRITICISM

/ LITERARY CRITICISM / European / English, Irish, Scottish, Welsh

/ Literary modernism

/ Literature

/ Lytton Strachey

/ Mark Twain

/ Mass society

/ Melodrama

/ Ministry of propaganda

/ Modernism

/ Modernism (Literature)

/ Modernism (Literature) -- Great Britain

/ Modernity

/ Motion pictures in propaganda

/ Narrative

/ Nationalism and Culture

/ Nazi propaganda

/ Objet d'art

/ Orientalism

/ Orwellian

/ Politics and the English Language

/ Postmodernism

/ Princeton

/ Propaganda

/ Propaganda -- Great Britain -- History -- 20th century

/ Propaganda techniques

/ Radical egalitarianism

/ Radio propaganda

/ Rhetoric

/ Richard Aldington

/ Romanticism

/ Sensation novel

/ Sound effect

/ Subtitle (titling)

/ Sullivan's Travels

/ Terence

/ The Symbolist Movement in Literature

/ The Voyage Out

/ The Work of Art in the Age of Mechanical Reproduction

/ Virginia Woolf

/ Wellington House

/ Winston Smith

/ Woolf

/ World War I

ISBN
0691128111, 9780691128115, 1400828627, 9780691138459, 9781400828623, 0691138451

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