Journal Article

Radical Observation

Seager, Joni

2017

Overview

Before Rachel Carson exposed the dangers posed by chemical pesticides, she was a chronicler of the ocean. Raised far from any sea, Carson became one of its most famous environmental interlocutors. Born in rural Pennsylvania in 1907, Carson's mother inculcated in her a love of nature, and a mentor at the Pennsylvania College for Women—now Chatham College—steered her toward marine biology. The rest, as they say, is history.In the early years of the twentieth century, the Marine Biological Laboratory at Woods Hole was one of the few scientific institutions that welcomed women and treated them as equal participants in science. There Carson pursued marine biology as a postgraduate before receiving her MA in zoology from Johns Hopkins University in 1932. (Gertrude Stein, another Pennsylvanian-born woman bound for fame and notoriety, also studied at Woods Hole and then Johns Hopkins, some thirty years before Carson.) Carson was a skilled writer; she entered college as an English major before her mentor, Mary Scott Skinker, lured her into the study of biology. Offering an unusual combination of skill in both science and writing, Carson was hired by the U.S. Bureau of Fisheries to write radio scripts during the Depression, and she supplemented her income by writing feature articles on natural history for the Baltimore Sun. In 1936 she began a sixteen-year career as a scientist and editor for the U. S. Fish and Wildlife Service (FWS), eventually rising to the position of editor in chief.For the FWS she wrote pamphlets on conservation and natural resources, synthesized field reports on fisheries, and edited scientific articles. She also continued her freelancing life: her first national-audience commercial success was \"Undersea,\" an article she wrote for the Atlantic Monthly in September 1937. Received to acclaim, this essay became the basis of Under the Sea-Wind (1941), a book that garnered good reviews but never sold particularly well. In 1951 she published her lyrical study of the ocean, The Sea Around Us. This book leapt to the New York Times best-seller list where it remained for almost ninety weeks; it won the National Book Award, was condensed in Reader's Digest, and made Carson a household name. The Sea Around Us also gave Carson the financial independence she needed to resign from government service in 1952 and devote herself full time to her writing. In 1955 she followed the success of The Sea Around Us with a study of the coastal Atlantic, The Edge of the Sea—retrospectively, the third of a trilogy \"biography of the ocean.\" Carson's ocean trilogy established her reputation as a popularizing nature observer. Before Jacques Cousteau entranced audiences with tales of the mysteries of the deep, Carson was mapping the rhythms of the ocean for a wide and enthralled readership. Unlike her later book, Silent Spring (1962), which was a hard-hitting exposé of human hubris in which Carson raised an overt challenge to business as usual in boosterish America, The Sea Around Us (and, later, Edge) was primarily a descriptive, naturalist chronicle. Lyrical, beautiful, scientifically based, and \"safe\" writings of the wonders-of-nature genre, these books didn't advance a polemic or make explicitly political arguments. Carson herself carefully cultivated a public reputation as a reliable narrator of nature observation. Nonetheless, radical currents ran deep throughout her ocean trilogy.

• Publisher: The Feminist Press,Feminist Press
• Subject: American literature / Audiences / Biographies / Biology / Carson, Rachel (1907-1964) / CLASSICS REVISITED: RACHEL CARSON'S THE SEA AROUND US / Editing / English language / Environmentalism / Females / Fisheries / Fishing / Literary genres / Marine biology / Mental depression / Nature / Observation / Oceans / Politics / Radio / Science / Scientists / Studies / Women / Writing