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Shimmering Description and Descriptive Criticism
by
Houser, Heather
in
Actor-network theory
/ American literature
/ British & Irish literature
/ Contemporary literature
/ Criticism
/ Doty, Mark
/ Ecocriticism
/ English literature
/ Fiction
/ French literature
/ Literary language
/ Literary theory
/ Materialism
/ McCarthy, Cormac (1933-2023)
/ Mechanics
/ Mimesis
/ Ontology
/ Plot (Narrative)
/ Reading
/ Sinha, Indra
/ Smith, Zadie (1975- )
2020
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Shimmering Description and Descriptive Criticism
by
Houser, Heather
in
Actor-network theory
/ American literature
/ British & Irish literature
/ Contemporary literature
/ Criticism
/ Doty, Mark
/ Ecocriticism
/ English literature
/ Fiction
/ French literature
/ Literary language
/ Literary theory
/ Materialism
/ McCarthy, Cormac (1933-2023)
/ Mechanics
/ Mimesis
/ Ontology
/ Plot (Narrative)
/ Reading
/ Sinha, Indra
/ Smith, Zadie (1975- )
2020
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Do you wish to request the book?
Shimmering Description and Descriptive Criticism
by
Houser, Heather
in
Actor-network theory
/ American literature
/ British & Irish literature
/ Contemporary literature
/ Criticism
/ Doty, Mark
/ Ecocriticism
/ English literature
/ Fiction
/ French literature
/ Literary language
/ Literary theory
/ Materialism
/ McCarthy, Cormac (1933-2023)
/ Mechanics
/ Mimesis
/ Ontology
/ Plot (Narrative)
/ Reading
/ Sinha, Indra
/ Smith, Zadie (1975- )
2020
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Journal Article
Shimmering Description and Descriptive Criticism
2020
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Overview
What can studying novelistic description teach us about the allure of modes of reading falling within the descriptive turn, specifically, surface reading, new materialist ecocriticism, and computational analysis? This article's analysis of the paradoxes of description—specifically, its ability to evoke while revoking—in McCarthy's Blood Meridian (1985), Sinha's Animal's People (2007), and Smith's White Teeth (2000) explains an apparent tension between data and materiality in these trending literary critical approaches. It details the evoke-revoke paradox of description and offers it as an analytic for understanding the ontological status of the reader and more-than-human things in methods captured by the descriptive turn. Ultimately, it shows how literary form and critical practices together give us traction on the demands fiction makes on readers and how the ascendancy of Web 2.0 mirrors those demands through its pull between materiality and data.
Publisher
Johns Hopkins University Press
Subject
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