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Rethinking pedagogic identities for Key Stage 3 general classroom music teacher education: an autoethnographic study
by
Axtell, Ian James
in
Aesthetic Education
/ Autoethnography
/ Classification
/ Classroom Communication
/ Classroom Observation Techniques
/ Classrooms
/ Communication
/ Communication (Thought Transfer)
/ Educational Attitudes
/ Educational Objectives
/ Ethnography
/ Identity
/ Knowledge
/ Music education
/ Music teachers
/ Pedagogy
/ Perceptions
/ Student Teaching
/ Teacher education
/ Teacher Educators
/ Teaching
/ Teaching (Occupation)
/ Time
/ Written Language
2024
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Rethinking pedagogic identities for Key Stage 3 general classroom music teacher education: an autoethnographic study
by
Axtell, Ian James
in
Aesthetic Education
/ Autoethnography
/ Classification
/ Classroom Communication
/ Classroom Observation Techniques
/ Classrooms
/ Communication
/ Communication (Thought Transfer)
/ Educational Attitudes
/ Educational Objectives
/ Ethnography
/ Identity
/ Knowledge
/ Music education
/ Music teachers
/ Pedagogy
/ Perceptions
/ Student Teaching
/ Teacher education
/ Teacher Educators
/ Teaching
/ Teaching (Occupation)
/ Time
/ Written Language
2024
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Do you wish to request the book?
Rethinking pedagogic identities for Key Stage 3 general classroom music teacher education: an autoethnographic study
by
Axtell, Ian James
in
Aesthetic Education
/ Autoethnography
/ Classification
/ Classroom Communication
/ Classroom Observation Techniques
/ Classrooms
/ Communication
/ Communication (Thought Transfer)
/ Educational Attitudes
/ Educational Objectives
/ Ethnography
/ Identity
/ Knowledge
/ Music education
/ Music teachers
/ Pedagogy
/ Perceptions
/ Student Teaching
/ Teacher education
/ Teacher Educators
/ Teaching
/ Teaching (Occupation)
/ Time
/ Written Language
2024
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Rethinking pedagogic identities for Key Stage 3 general classroom music teacher education: an autoethnographic study
Journal Article
Rethinking pedagogic identities for Key Stage 3 general classroom music teacher education: an autoethnographic study
2024
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Overview
My role as a university-based, general classroom music teacher educator in England has become unclear, exacerbated by policies that have undermined the field of classroom music in schools and the role of universities in teacher education. Using self-critical inquiry enacted as critically reflexive autoethnography, I interrogated my professional practice to rethink my pedagogic identity. Theoretical perspectives, drawn from Bernstein and Bourdieu, were used to chart my shifting identity. This paper introduces a theorised model to illustrate a range of pedagogic identities for Key Stage 3 (KS3) general classroom music teacher education.
Publisher
Cambridge University Press
Subject
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