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The Royal Chapel of Pedro I of Castile in the Christianised Mosque of Seville
by
Gumiel-Campos, Pablo
in
14th century
/ 15th century
/ Architects
/ Architecture
/ Castille
/ Chapels
/ Christianised Mosque of Seville
/ Christianity and other religions
/ Church buildings
/ Design and construction
/ History
/ Hypotheses
/ Islam
/ Kings and rulers
/ Maqṣūra
/ Mosques
/ Pedro I
/ Pedro I, King of Castile and Leon
/ Religious aspects
/ Royal Chapel
/ Seville
2024
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The Royal Chapel of Pedro I of Castile in the Christianised Mosque of Seville
by
Gumiel-Campos, Pablo
in
14th century
/ 15th century
/ Architects
/ Architecture
/ Castille
/ Chapels
/ Christianised Mosque of Seville
/ Christianity and other religions
/ Church buildings
/ Design and construction
/ History
/ Hypotheses
/ Islam
/ Kings and rulers
/ Maqṣūra
/ Mosques
/ Pedro I
/ Pedro I, King of Castile and Leon
/ Religious aspects
/ Royal Chapel
/ Seville
2024
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The Royal Chapel of Pedro I of Castile in the Christianised Mosque of Seville
by
Gumiel-Campos, Pablo
in
14th century
/ 15th century
/ Architects
/ Architecture
/ Castille
/ Chapels
/ Christianised Mosque of Seville
/ Christianity and other religions
/ Church buildings
/ Design and construction
/ History
/ Hypotheses
/ Islam
/ Kings and rulers
/ Maqṣūra
/ Mosques
/ Pedro I
/ Pedro I, King of Castile and Leon
/ Religious aspects
/ Royal Chapel
/ Seville
2024
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The Royal Chapel of Pedro I of Castile in the Christianised Mosque of Seville
Journal Article
The Royal Chapel of Pedro I of Castile in the Christianised Mosque of Seville
2024
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Overview
Pedro I of Castile (1350–1369) founded a royal chapel in the Christianised Mosque of Seville. He intended to house there his body, that of Queen María de Padilla, and their son the Infant Alfonso (1359–1362). This mausoleum is well documented both in the king’s will and in the chronicles of López de Ayala; however, there are no material remains as it was demolished with the construction of the new cathedral in the 15th century. In this article, we seek to produce a state of the art history of the building, a compilation of all the documentary sources that exist for its analysis, and an approach to the problems that hinder its study. We have also tried, unsuccessfully, to put forward a hypothesis about its original location, but we have come up against a dead end. Despite this, we consider it essential to lay all the cards on the table and prevent the mausoleum from falling into oblivion.
Publisher
MDPI AG
Subject
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