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A World of Signs: Baroque Pansemioticism, the Polyhistor and the Early Modern Wunderkammer
by
Westerhoff, Jan C.
in
17th century
/ Awards
/ Baroque literature
/ Cultural history
/ Culture
/ Epigrams
/ Europe
/ German language
/ Hieroglyphics
/ Historical studies (History of philosophy. History of ideas)
/ History
/ History of ideas
/ Language history
/ Literary criticism
/ Natural history
/ Phenomena
/ Philosophy
/ Poetry
/ Scientists
/ Semiotics
/ Signification
/ Signs
/ Symbolism
/ World view
2001
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A World of Signs: Baroque Pansemioticism, the Polyhistor and the Early Modern Wunderkammer
by
Westerhoff, Jan C.
in
17th century
/ Awards
/ Baroque literature
/ Cultural history
/ Culture
/ Epigrams
/ Europe
/ German language
/ Hieroglyphics
/ Historical studies (History of philosophy. History of ideas)
/ History
/ History of ideas
/ Language history
/ Literary criticism
/ Natural history
/ Phenomena
/ Philosophy
/ Poetry
/ Scientists
/ Semiotics
/ Signification
/ Signs
/ Symbolism
/ World view
2001
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A World of Signs: Baroque Pansemioticism, the Polyhistor and the Early Modern Wunderkammer
by
Westerhoff, Jan C.
in
17th century
/ Awards
/ Baroque literature
/ Cultural history
/ Culture
/ Epigrams
/ Europe
/ German language
/ Hieroglyphics
/ Historical studies (History of philosophy. History of ideas)
/ History
/ History of ideas
/ Language history
/ Literary criticism
/ Natural history
/ Phenomena
/ Philosophy
/ Poetry
/ Scientists
/ Semiotics
/ Signification
/ Signs
/ Symbolism
/ World view
2001
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A World of Signs: Baroque Pansemioticism, the Polyhistor and the Early Modern Wunderkammer
Journal Article
A World of Signs: Baroque Pansemioticism, the Polyhistor and the Early Modern Wunderkammer
2001
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Overview
Concentrating on the works of German authors during from the last three quarters of the 17th Century, Westerhoff argues that there existed a prominent view of signs and signification in late 16th and 17th century Europe which can help to understand several puzzling aspects of baroque culture. The view, known as \"pansemioticism,\" constituted a fundamental part of the baroque conception of the world.
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