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Dickens, Miscellanies, and classical traditions of Satire
by
DREW, JOHN
in
19th century
/ Aesthetics
/ Allegory
/ Allusion
/ Authorship
/ Biographies
/ British & Irish literature
/ Classical studies
/ Dickens, Charles (1812-1870)
/ English literature
/ Ethics
/ Folklore
/ Greek literature
/ Intertextuality
/ Irish literature
/ Journalism
/ Latin literature
/ Literary characters
/ Literary devices
/ Literary influences
/ Literary translation
/ Periodicals
/ Philology
/ Publishing
/ Publishing industry
/ Readers
/ Rhetoric
/ Social criticism & satire
/ Source studies
/ Swift, Jonathan (1667-1745)
/ Traditions
/ Writers
2017
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Dickens, Miscellanies, and classical traditions of Satire
by
DREW, JOHN
in
19th century
/ Aesthetics
/ Allegory
/ Allusion
/ Authorship
/ Biographies
/ British & Irish literature
/ Classical studies
/ Dickens, Charles (1812-1870)
/ English literature
/ Ethics
/ Folklore
/ Greek literature
/ Intertextuality
/ Irish literature
/ Journalism
/ Latin literature
/ Literary characters
/ Literary devices
/ Literary influences
/ Literary translation
/ Periodicals
/ Philology
/ Publishing
/ Publishing industry
/ Readers
/ Rhetoric
/ Social criticism & satire
/ Source studies
/ Swift, Jonathan (1667-1745)
/ Traditions
/ Writers
2017
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Do you wish to request the book?
Dickens, Miscellanies, and classical traditions of Satire
by
DREW, JOHN
in
19th century
/ Aesthetics
/ Allegory
/ Allusion
/ Authorship
/ Biographies
/ British & Irish literature
/ Classical studies
/ Dickens, Charles (1812-1870)
/ English literature
/ Ethics
/ Folklore
/ Greek literature
/ Intertextuality
/ Irish literature
/ Journalism
/ Latin literature
/ Literary characters
/ Literary devices
/ Literary influences
/ Literary translation
/ Periodicals
/ Philology
/ Publishing
/ Publishing industry
/ Readers
/ Rhetoric
/ Social criticism & satire
/ Source studies
/ Swift, Jonathan (1667-1745)
/ Traditions
/ Writers
2017
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Journal Article
Dickens, Miscellanies, and classical traditions of Satire
2017
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Overview
Nevertheless, it must occasionally be permissible to glance upstream as well as down, and try to understand Dickens's aesthetic and ethical development as a writer in terms of those he acknowledged and navigated amongst as forerunners: in this case well-established exponents of classical traditions of literary attack and reform. Dickens's \"small Latin and less Greke\" as a schoolboy is, in this respect, irrelevant, because such traditions were so widely diffused in Regency, Georgian and Victorian print culture, partly though the periodical press, but also through the warp and weft of parliamentary rhetoric, which of course, Dickens himself was as responsible as anyone for weaving into text during the 1830s.
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