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How Worlds are Made: Literatures, Translation, and the Question of the Universal
by
Arenberg, Meg
in
Achebe, Chinua
/ African languages
/ African literature
/ Anglophones
/ Debates
/ French literature
/ Kenyan literature
/ Languages
/ Novels
/ Reading
/ Social aspects
/ Translations
/ Translations and translating
/ Writers
2025
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How Worlds are Made: Literatures, Translation, and the Question of the Universal
by
Arenberg, Meg
in
Achebe, Chinua
/ African languages
/ African literature
/ Anglophones
/ Debates
/ French literature
/ Kenyan literature
/ Languages
/ Novels
/ Reading
/ Social aspects
/ Translations
/ Translations and translating
/ Writers
2025
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Do you wish to request the book?
How Worlds are Made: Literatures, Translation, and the Question of the Universal
by
Arenberg, Meg
in
Achebe, Chinua
/ African languages
/ African literature
/ Anglophones
/ Debates
/ French literature
/ Kenyan literature
/ Languages
/ Novels
/ Reading
/ Social aspects
/ Translations
/ Translations and translating
/ Writers
2025
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How Worlds are Made: Literatures, Translation, and the Question of the Universal
Journal Article
How Worlds are Made: Literatures, Translation, and the Question of the Universal
2025
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Overview
Weaving the work of Eileen Julien on the “extroverted” African novel throughout, this article considers arguments around the relationship of African literature to the notion of literary universality, with special attention to the position of African languages within these arguments. Novels by Kenyan writers Ngũgĩ wa Thiong’o and Yvonne Adhiambo Owuor and theoretical interventions by Walter Benjamin, Edouard Glissant, and Souleymane Bachir Diagne in particular are used to develop strategies for reading moments of contact between English and African languages in Anglophone African novels as central to the pursuit of a universality that is neither totalizing nor Eurocentric.
Publisher
Indiana University Press
Subject
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