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Crossmodal correspondences between visual and speech angularity and tactile jaggedness of response key
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Crossmodal correspondences between visual and speech angularity and tactile jaggedness of response key
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Journal Article
Crossmodal correspondences between visual and speech angularity and tactile jaggedness of response key
2024
Overview
Several studies reported various crossmodal correspondences related to tactile features. These previous studies have investigated tactile-related correspondences through explicit matching or subjective evaluation tasks, which required participants to recognize relationships between tactile and other sensory features or rate tactile materials on scales with adjective labels related to visual or auditory features. However, these tasks are prone to occur the experimenter-expectancy effects and arbitrary categorization of tactile materials by the labels, making it difficult to assess implicit and non-arbitrary aspects of crossmodal correspondences. To address this, we used a speeded classification task to examine whether the angularity/roundedness of visual and auditory stimuli correspond to tactile jaggedness/fluffiness. Participants distinguished between angularity or roundedness (Experiment 1: visual shapes; Experiment 2: speech sounds) by pressing right- or left-positioned response keys with task-irrelevant jaggedness or fluffiness without prior instruction on which key represented jaggedness/fluffiness. Results showed faster keypresses for jagged/fluffy responses to angular/rounded stimuli, suggesting an implicit correspondence between these sensory features except for the experimenter-expectancy effects and the influence of the labels. Unlike previous studies that examined the correspondence with simple tactile features (e.g., weight, size), our findings suggest that even complex tactile-quality features, such as jaggedness/fluffiness, implicitly correspond to visual and auditory angularity/roundedness.
Publisher
Nature Publishing Group UK,Nature Publishing Group,Nature Portfolio
