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For art's sake
by
Tromp, Henk
in
Anthropology
/ Applied anthropology
/ Argumentation
/ Art dealing
/ Art education
/ Art exhibitions
/ Art museums
/ Arts
/ Arts participation
/ Behavioral sciences
/ Business
/ Business structures
/ Communications
/ Criminal law
/ Criminal offenses
/ Cultural anthropology
/ Cultural institutions
/ Discourse
/ Entertainment
/ Exhibitions
/ Forgery
/ Forgery, falsification & theft of artworks
/ Fraud
/ HISTORY OF ART / ART & DESIGN STYLES
/ Impressionism
/ Law
/ Leisure studies
/ Museum exhibits
/ Museums
/ Polemics
/ Recreation
/ Rhetoric
/ Social sciences
/ Visual arts
2010
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For art's sake
by
Tromp, Henk
in
Anthropology
/ Applied anthropology
/ Argumentation
/ Art dealing
/ Art education
/ Art exhibitions
/ Art museums
/ Arts
/ Arts participation
/ Behavioral sciences
/ Business
/ Business structures
/ Communications
/ Criminal law
/ Criminal offenses
/ Cultural anthropology
/ Cultural institutions
/ Discourse
/ Entertainment
/ Exhibitions
/ Forgery
/ Forgery, falsification & theft of artworks
/ Fraud
/ HISTORY OF ART / ART & DESIGN STYLES
/ Impressionism
/ Law
/ Leisure studies
/ Museum exhibits
/ Museums
/ Polemics
/ Recreation
/ Rhetoric
/ Social sciences
/ Visual arts
2010
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Do you wish to request the book?
For art's sake
by
Tromp, Henk
in
Anthropology
/ Applied anthropology
/ Argumentation
/ Art dealing
/ Art education
/ Art exhibitions
/ Art museums
/ Arts
/ Arts participation
/ Behavioral sciences
/ Business
/ Business structures
/ Communications
/ Criminal law
/ Criminal offenses
/ Cultural anthropology
/ Cultural institutions
/ Discourse
/ Entertainment
/ Exhibitions
/ Forgery
/ Forgery, falsification & theft of artworks
/ Fraud
/ HISTORY OF ART / ART & DESIGN STYLES
/ Impressionism
/ Law
/ Leisure studies
/ Museum exhibits
/ Museums
/ Polemics
/ Recreation
/ Rhetoric
/ Social sciences
/ Visual arts
2010
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Book Chapter
For art's sake
2010
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Overview
By November 1929, De la Faille had a year of turmoil behind him, all of it having to do with Otto Wacker's Van Goghs. The distribution of the Supplément had not been greatly appreciated, although his published works and letters do not suggest that this caused him undue suffering. On the contrary, they reveal a certain intransigence quite in keeping with a man who is sure of what he is doing and is seeking to redress the fraud of which he has been such an unwilling instrument. His behavior was consistent with the basic attitude he had shown earlier in articles about conflicts of interest, forged Rembrandts, and expertise bureaus - articles that had made him a controversial figure in the art world. His newest démarche, the open struggle against fake Van Goghs, reinforced his reputation for being headstrong.
Publisher
Routledge,Amsterdam University Press
Subject
ISBN
9789089641762, 9089641769
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