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Paris
by
Schenker, Alexander M
in
Applied sciences
/ Applied sociology
/ Art genres and movements
/ Art history
/ Artists
/ Arts
/ Behavioral sciences
/ Busts
/ Ceramic materials
/ Churches
/ Construction materials
/ Construction technology
/ Diderot
/ Economic disciplines
/ Economics
/ Employment
/ Etienne-Maurice Falconet
/ Friendship
/ Hard paste porcelains
/ History of Art
/ Interpersonal relations
/ Labor economics
/ Madame de Pompadour
/ Marie-Anne Collot
/ Materials
/ Materials science
/ Modern History (1700 to 1945)
/ Occupations
/ Plasters
/ Plastic arts
/ Porcelain
/ Portraits
/ Psychology
/ Russian and Eastern European History
/ Sculptors
/ Sculpture
/ Sculpture in the round
/ Social and Cultural History
/ Social psychology
/ Sociology
/ Sociology of religion
/ Statues
/ Sèvres
/ Technology
/ Visual arts
2003
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Paris
by
Schenker, Alexander M
in
Applied sciences
/ Applied sociology
/ Art genres and movements
/ Art history
/ Artists
/ Arts
/ Behavioral sciences
/ Busts
/ Ceramic materials
/ Churches
/ Construction materials
/ Construction technology
/ Diderot
/ Economic disciplines
/ Economics
/ Employment
/ Etienne-Maurice Falconet
/ Friendship
/ Hard paste porcelains
/ History of Art
/ Interpersonal relations
/ Labor economics
/ Madame de Pompadour
/ Marie-Anne Collot
/ Materials
/ Materials science
/ Modern History (1700 to 1945)
/ Occupations
/ Plasters
/ Plastic arts
/ Porcelain
/ Portraits
/ Psychology
/ Russian and Eastern European History
/ Sculptors
/ Sculpture
/ Sculpture in the round
/ Social and Cultural History
/ Social psychology
/ Sociology
/ Sociology of religion
/ Statues
/ Sèvres
/ Technology
/ Visual arts
2003
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Paris
by
Schenker, Alexander M
in
Applied sciences
/ Applied sociology
/ Art genres and movements
/ Art history
/ Artists
/ Arts
/ Behavioral sciences
/ Busts
/ Ceramic materials
/ Churches
/ Construction materials
/ Construction technology
/ Diderot
/ Economic disciplines
/ Economics
/ Employment
/ Etienne-Maurice Falconet
/ Friendship
/ Hard paste porcelains
/ History of Art
/ Interpersonal relations
/ Labor economics
/ Madame de Pompadour
/ Marie-Anne Collot
/ Materials
/ Materials science
/ Modern History (1700 to 1945)
/ Occupations
/ Plasters
/ Plastic arts
/ Porcelain
/ Portraits
/ Psychology
/ Russian and Eastern European History
/ Sculptors
/ Sculpture
/ Sculpture in the round
/ Social and Cultural History
/ Social psychology
/ Sociology
/ Sociology of religion
/ Statues
/ Sèvres
/ Technology
/ Visual arts
2003
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Paris
2003
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Overview
Etienne-Maurice Falconet came from a family of simple artisans of very modest means.¹ How plain his origins were can be seen from an entry for February 12, 1714, in the register of the church of Notre-Dame de la Bonne Nouvelle in Paris, where his parents were married. According to the church records, his father, Maurice, and his uncle Pierre Falconet were journeymen joiners; his paternal grandfather, Claude Falconet, was a peasant from Savoy; his maternal grandfather, Nicolas Guérin, was a cobbler, and his uncle François Falconet was a servant. The newlyweds settled in a modest lodging on rue de Bourbon-Villeneuve,
Publisher
Yale University Press
Subject
ISBN
9780300097122, 0300097123
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