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Mixing Metaphors
by
Carmen L. Phelps
in
Aesthetics
/ African American culture
/ African American studies
/ American art
/ American culture
/ American studies
/ Anthropology
/ Artists
/ Arts
/ Axiology
/ Behavioral sciences
/ Black arts movement
/ Black people
/ Economic disciplines
/ Economics
/ Education
/ Educational institutions
/ Employment
/ Ethnic groups
/ Ethnography
/ Ethnology
/ Formal education
/ Labor economics
/ Literary elements
/ Literary genres
/ Literature
/ Narrative poetry
/ Narrative point of view
/ Narrators
/ Occupations
/ Philosophy
/ Poetry
/ Religious poetry
/ School campuses
2012
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Mixing Metaphors
by
Carmen L. Phelps
in
Aesthetics
/ African American culture
/ African American studies
/ American art
/ American culture
/ American studies
/ Anthropology
/ Artists
/ Arts
/ Axiology
/ Behavioral sciences
/ Black arts movement
/ Black people
/ Economic disciplines
/ Economics
/ Education
/ Educational institutions
/ Employment
/ Ethnic groups
/ Ethnography
/ Ethnology
/ Formal education
/ Labor economics
/ Literary elements
/ Literary genres
/ Literature
/ Narrative poetry
/ Narrative point of view
/ Narrators
/ Occupations
/ Philosophy
/ Poetry
/ Religious poetry
/ School campuses
2012
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Do you wish to request the book?
Mixing Metaphors
by
Carmen L. Phelps
in
Aesthetics
/ African American culture
/ African American studies
/ American art
/ American culture
/ American studies
/ Anthropology
/ Artists
/ Arts
/ Axiology
/ Behavioral sciences
/ Black arts movement
/ Black people
/ Economic disciplines
/ Economics
/ Education
/ Educational institutions
/ Employment
/ Ethnic groups
/ Ethnography
/ Ethnology
/ Formal education
/ Labor economics
/ Literary elements
/ Literary genres
/ Literature
/ Narrative poetry
/ Narrative point of view
/ Narrators
/ Occupations
/ Philosophy
/ Poetry
/ Religious poetry
/ School campuses
2012
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Book Chapter
Mixing Metaphors
2012
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Overview
Although the legacy of the BAM is often critiqued within the context of the activist practices and art produced by its participants at the height of the movement, it can also be evaluated in later work, since many Black Artists remained prolific beyond the BAM. In many aspects, self-defined Black Artists continue to reprise BAM ideals in more recent work, which further substantiates the idea that the Black Arts aesthetic was and remains an evolving concept. Artists, activists, and intellectuals who worked toward the realization of the BAM and who were most immediately inspired by and committed to its agenda
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