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“As Beautiful as a Butterfly”?
by
Robin L. Murray
, Joseph K. Heumann
in
Animal behavior
/ Animal mimicry
/ Animals
/ Anthropology
/ Applied anthropology
/ Arthropods
/ Arts
/ Behavioral sciences
/ Biological sciences
/ Biology
/ Cockroaches
/ Cultural anthropology
/ Cultural studies
/ Death
/ Developmental biology
/ Entomology
/ Ethology
/ Fiction
/ Film studies
/ Horror fiction
/ Humans
/ Insect biology
/ Insect nests
/ Insect pests
/ Insects
/ Invertebrates
/ Life cycle
/ Literary genres
/ Literature
/ Mammals
/ Movies
/ Primates
/ Speculative fiction
/ Transgenic insects
/ Zoology
2016
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“As Beautiful as a Butterfly”?
by
Robin L. Murray
, Joseph K. Heumann
in
Animal behavior
/ Animal mimicry
/ Animals
/ Anthropology
/ Applied anthropology
/ Arthropods
/ Arts
/ Behavioral sciences
/ Biological sciences
/ Biology
/ Cockroaches
/ Cultural anthropology
/ Cultural studies
/ Death
/ Developmental biology
/ Entomology
/ Ethology
/ Fiction
/ Film studies
/ Horror fiction
/ Humans
/ Insect biology
/ Insect nests
/ Insect pests
/ Insects
/ Invertebrates
/ Life cycle
/ Literary genres
/ Literature
/ Mammals
/ Movies
/ Primates
/ Speculative fiction
/ Transgenic insects
/ Zoology
2016
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Do you wish to request the book?
“As Beautiful as a Butterfly”?
by
Robin L. Murray
, Joseph K. Heumann
in
Animal behavior
/ Animal mimicry
/ Animals
/ Anthropology
/ Applied anthropology
/ Arthropods
/ Arts
/ Behavioral sciences
/ Biological sciences
/ Biology
/ Cockroaches
/ Cultural anthropology
/ Cultural studies
/ Death
/ Developmental biology
/ Entomology
/ Ethology
/ Fiction
/ Film studies
/ Horror fiction
/ Humans
/ Insect biology
/ Insect nests
/ Insect pests
/ Insects
/ Invertebrates
/ Life cycle
/ Literary genres
/ Literature
/ Mammals
/ Movies
/ Primates
/ Speculative fiction
/ Transgenic insects
/ Zoology
2016
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Book Chapter
“As Beautiful as a Butterfly”?
2016
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Overview
A key center scene in Guillermo del Toro’s 1993 horror debut,Cronos, introduces conflicting views of insects like those inThe Hellstrom ChronicleandBeetle Queen Conquers Tokyofrom a fictional film perspective. According to a dying industrialist, De la Guardia (Claudio Brook), a coveted device prolongs life because a cockroach trapped inside it is working like a “living filter” attesting to the power of insects. As De la Guardia asks the film’s hero, Jesus Gris (Federico Luppi), who has activated the device, “Who says insects aren’t God’s favorite creatures?” They have survived from almost Earth’s beginnings, even when other
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