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Supplices (The Suppliants) and its trilogy
by
D.J. CONACHER
in
African history
/ African studies
/ Anthropology
/ Applied anthropology
/ Arts
/ Behavioral sciences
/ Choirs
/ Cognitive psychology
/ Cultural anthropology
/ Divination
/ Egyptian history
/ Emotion
/ Emotional states
/ Ethnography
/ Ethnology
/ Families
/ Family members
/ Fear
/ Folk beliefs
/ Folk culture
/ Folkloristics
/ Human societies
/ Irony
/ Literary devices
/ Literary genres
/ Literature
/ Magic
/ Marriage
/ Music
/ Music ensembles
/ Musical performance
/ Odes
/ Oracles
/ Performing arts
/ Poetic forms
/ Poetry
/ Practical theology
/ Prayer
/ Psychology
/ Religion
/ Religious practices
/ Roman and Byzantine Egypt
/ Social institutions
/ Sociology
/ Sons
/ Theater
/ Theology
/ Vocal ensembles
1996
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Supplices (The Suppliants) and its trilogy
by
D.J. CONACHER
in
African history
/ African studies
/ Anthropology
/ Applied anthropology
/ Arts
/ Behavioral sciences
/ Choirs
/ Cognitive psychology
/ Cultural anthropology
/ Divination
/ Egyptian history
/ Emotion
/ Emotional states
/ Ethnography
/ Ethnology
/ Families
/ Family members
/ Fear
/ Folk beliefs
/ Folk culture
/ Folkloristics
/ Human societies
/ Irony
/ Literary devices
/ Literary genres
/ Literature
/ Magic
/ Marriage
/ Music
/ Music ensembles
/ Musical performance
/ Odes
/ Oracles
/ Performing arts
/ Poetic forms
/ Poetry
/ Practical theology
/ Prayer
/ Psychology
/ Religion
/ Religious practices
/ Roman and Byzantine Egypt
/ Social institutions
/ Sociology
/ Sons
/ Theater
/ Theology
/ Vocal ensembles
1996
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Do you wish to request the book?
Supplices (The Suppliants) and its trilogy
by
D.J. CONACHER
in
African history
/ African studies
/ Anthropology
/ Applied anthropology
/ Arts
/ Behavioral sciences
/ Choirs
/ Cognitive psychology
/ Cultural anthropology
/ Divination
/ Egyptian history
/ Emotion
/ Emotional states
/ Ethnography
/ Ethnology
/ Families
/ Family members
/ Fear
/ Folk beliefs
/ Folk culture
/ Folkloristics
/ Human societies
/ Irony
/ Literary devices
/ Literary genres
/ Literature
/ Magic
/ Marriage
/ Music
/ Music ensembles
/ Musical performance
/ Odes
/ Oracles
/ Performing arts
/ Poetic forms
/ Poetry
/ Practical theology
/ Prayer
/ Psychology
/ Religion
/ Religious practices
/ Roman and Byzantine Egypt
/ Social institutions
/ Sociology
/ Sons
/ Theater
/ Theology
/ Vocal ensembles
1996
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Supplices (The Suppliants) and its trilogy
1996
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Overview
For many years, Aeschylus′Suppliceswas regarded by the great majority of classicists as the earliest extant Aeschylean play. The main basis for this view was the prominence of its Chorus, due not only to the high proportion of the play devoted to its songs but also to its central importance, as a group personality, to the dramatic situation with which the play is concerned. This feature (when treated without further discrimination), together with the limited degree of characterization involved in the roles assigned to the first and especially to the second actor, fitted the general awareness that Greek tragedy
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