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NOT TO OPPOSE EVIL
by
TONY TOST
in
Anthropology
/ Applied anthropology
/ Art music
/ Art songs
/ Arts
/ Behavioral sciences
/ Cash
/ Correctional institutions
/ Correctional system
/ Cosmological philosophy
/ Criminal justice
/ Criminal law
/ Cultural anthropology
/ Economics
/ Eternity
/ Fathers
/ Folklore
/ Folkloristics
/ High culture
/ Human populations
/ Law
/ Legends
/ Literary elements
/ Literary genres
/ Literature
/ Macroeconomics
/ Men
/ Metaphysics
/ Money
/ Narrative point of view
/ Narrators
/ Persons
/ Philosophy
/ Philosophy of time
/ Poetic forms
/ Poetry
/ Population studies
/ Prisons
/ Social sciences
/ Song lyrics
2011
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NOT TO OPPOSE EVIL
by
TONY TOST
in
Anthropology
/ Applied anthropology
/ Art music
/ Art songs
/ Arts
/ Behavioral sciences
/ Cash
/ Correctional institutions
/ Correctional system
/ Cosmological philosophy
/ Criminal justice
/ Criminal law
/ Cultural anthropology
/ Economics
/ Eternity
/ Fathers
/ Folklore
/ Folkloristics
/ High culture
/ Human populations
/ Law
/ Legends
/ Literary elements
/ Literary genres
/ Literature
/ Macroeconomics
/ Men
/ Metaphysics
/ Money
/ Narrative point of view
/ Narrators
/ Persons
/ Philosophy
/ Philosophy of time
/ Poetic forms
/ Poetry
/ Population studies
/ Prisons
/ Social sciences
/ Song lyrics
2011
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Do you wish to request the book?
NOT TO OPPOSE EVIL
by
TONY TOST
in
Anthropology
/ Applied anthropology
/ Art music
/ Art songs
/ Arts
/ Behavioral sciences
/ Cash
/ Correctional institutions
/ Correctional system
/ Cosmological philosophy
/ Criminal justice
/ Criminal law
/ Cultural anthropology
/ Economics
/ Eternity
/ Fathers
/ Folklore
/ Folkloristics
/ High culture
/ Human populations
/ Law
/ Legends
/ Literary elements
/ Literary genres
/ Literature
/ Macroeconomics
/ Men
/ Metaphysics
/ Money
/ Narrative point of view
/ Narrators
/ Persons
/ Philosophy
/ Philosophy of time
/ Poetic forms
/ Poetry
/ Population studies
/ Prisons
/ Social sciences
/ Song lyrics
2011
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NOT TO OPPOSE EVIL
2011
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Overview
“There is less trouble in the world,” Edward Dahlberg assures us, “when we are reared by streams, animals, trees, as legend says.” In “A Boy Named Sue,” the Shel Silverstein composition Cash performed for the first time in front of the citizens of San Quentin prison in 1969, the narrator’s displeasure is that he has grown up as a kind of comic legend. Because his father deeded him nothing but a woman’s name, he has faced a life of mockery and abuse. When Sue discovers his father later in the song and prepares to slay him in revenge, the father
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