MbrlCatalogueTitleDetail

Do you wish to reserve the book?
NOT TO OPPOSE EVIL
NOT TO OPPOSE EVIL
Hey, we have placed the reservation for you!
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
You are currently in the queue to collect this book. You will be notified once it is your turn to collect the book.
Oops! Something went wrong.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
NOT TO OPPOSE EVIL
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
Title added to your shelf!
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Do you wish to request the book?
NOT TO OPPOSE EVIL
NOT TO OPPOSE EVIL

Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
How would you like to get it?
We have requested the book for you! Sorry the robot delivery is not available at the moment
We have requested the book for you!
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
NOT TO OPPOSE EVIL
Book Chapter

NOT TO OPPOSE EVIL

2011
Request Book From Autostore and Choose the Collection Method
Overview
“There is less trouble in the world,” Edward Dahlberg assures us, “when we are reared by streams, animals, trees, as legend says.” In “A Boy Named Sue,” the Shel Silverstein composition Cash performed for the first time in front of the citizens of San Quentin prison in 1969, the narrator’s displeasure is that he has grown up as a kind of comic legend. Because his father deeded him nothing but a woman’s name, he has faced a life of mockery and abuse. When Sue discovers his father later in the song and prepares to slay him in revenge, the father