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INTRODUCTION
by
Elizabeth Fallaize
in
American literature
/ Artists
/ Arts
/ Book publishing
/ Business
/ Comparative literature
/ Economic disciplines
/ Economics
/ Employment
/ Fiction
/ French literature
/ Heroes
/ Industrial sectors
/ Industry
/ Knowledge industries
/ Labor economics
/ Literary characters
/ Literary criticism
/ Literary devices
/ Literary elements
/ Literary genres
/ Literary studies
/ Literary style
/ Literature
/ Metaphysics
/ Novelists
/ Novels
/ Occupations
/ Performing arts
/ Philosophy
/ Protagonists
/ Publishing industry
/ Theater
/ World literature
/ Writers
2014
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INTRODUCTION
by
Elizabeth Fallaize
in
American literature
/ Artists
/ Arts
/ Book publishing
/ Business
/ Comparative literature
/ Economic disciplines
/ Economics
/ Employment
/ Fiction
/ French literature
/ Heroes
/ Industrial sectors
/ Industry
/ Knowledge industries
/ Labor economics
/ Literary characters
/ Literary criticism
/ Literary devices
/ Literary elements
/ Literary genres
/ Literary studies
/ Literary style
/ Literature
/ Metaphysics
/ Novelists
/ Novels
/ Occupations
/ Performing arts
/ Philosophy
/ Protagonists
/ Publishing industry
/ Theater
/ World literature
/ Writers
2014
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INTRODUCTION
by
Elizabeth Fallaize
in
American literature
/ Artists
/ Arts
/ Book publishing
/ Business
/ Comparative literature
/ Economic disciplines
/ Economics
/ Employment
/ Fiction
/ French literature
/ Heroes
/ Industrial sectors
/ Industry
/ Knowledge industries
/ Labor economics
/ Literary characters
/ Literary criticism
/ Literary devices
/ Literary elements
/ Literary genres
/ Literary studies
/ Literary style
/ Literature
/ Metaphysics
/ Novelists
/ Novels
/ Occupations
/ Performing arts
/ Philosophy
/ Protagonists
/ Publishing industry
/ Theater
/ World literature
/ Writers
2014
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INTRODUCTION
2014
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Overview
“In the same week we have heard Sartre’s lecture, been to the opening night ofLes bouches inutiles(The Useless Mouths) and read the first issue ofLes temps modernes(Modern Times).”¹ So wrote a mildly irritated critic, according to Beauvoir inLa force des choses(Force of Circumstance). It is not difficult to understand this reaction to the “existentialist offensive” in which Beauvoir and Sartre found themselves unwittingly engaged in the autumn of 1945. Beauvoir’s second novelLe sang des autres(The Blood of Others) was published in September, followed a few weeks later by the publication of the
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