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Cleitophon the Charlatan
by
Ian Repath
in
Ancient Greece
/ Anthropology
/ Applied anthropology
/ Art genres and movements
/ Art history
/ Arts
/ Behavioral sciences
/ Classical antiquity
/ Communications
/ Confidence tricksters
/ Criminals
/ Cultural anthropology
/ Ethnography
/ Ethnology
/ European history
/ European studies
/ Fiction
/ Folkloristics
/ Human populations
/ Literary characters
/ Literary elements
/ Literary genres
/ Literature
/ Mythology
/ Narrative art
/ Narrative point of view
/ Narratives
/ Narrators
/ Novels
/ Persons
/ Population studies
/ Social sciences
/ Visual arts
2015
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Cleitophon the Charlatan
by
Ian Repath
in
Ancient Greece
/ Anthropology
/ Applied anthropology
/ Art genres and movements
/ Art history
/ Arts
/ Behavioral sciences
/ Classical antiquity
/ Communications
/ Confidence tricksters
/ Criminals
/ Cultural anthropology
/ Ethnography
/ Ethnology
/ European history
/ European studies
/ Fiction
/ Folkloristics
/ Human populations
/ Literary characters
/ Literary elements
/ Literary genres
/ Literature
/ Mythology
/ Narrative art
/ Narrative point of view
/ Narratives
/ Narrators
/ Novels
/ Persons
/ Population studies
/ Social sciences
/ Visual arts
2015
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Do you wish to request the book?
Cleitophon the Charlatan
by
Ian Repath
in
Ancient Greece
/ Anthropology
/ Applied anthropology
/ Art genres and movements
/ Art history
/ Arts
/ Behavioral sciences
/ Classical antiquity
/ Communications
/ Confidence tricksters
/ Criminals
/ Cultural anthropology
/ Ethnography
/ Ethnology
/ European history
/ European studies
/ Fiction
/ Folkloristics
/ Human populations
/ Literary characters
/ Literary elements
/ Literary genres
/ Literature
/ Mythology
/ Narrative art
/ Narrative point of view
/ Narratives
/ Narrators
/ Novels
/ Persons
/ Population studies
/ Social sciences
/ Visual arts
2015
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Book Chapter
Cleitophon the Charlatan
2015
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Overview
‘Ἐγὼ ταῦτα ἂν εἰδείην,’ ἔφη, ‘τοσαύτας ὕβρεις ἐξ Ἔρωτος παθών.’
‘I should know – having suffered such outrages from Eros!’ (1,2,1)¹
These are the very first words Cleitophon says, and, in them, he makes a claim to knowledge. If one is to assess whether, how, and to what extent Cleitophon is a charlatan, namely one who claims knowledge or expertise that he does not have, this utterance provides an obvious starting point: some ways of understanding it and its implications will be the focus of the second half of this paper. In the first, I will follow another line of
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