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THE ARABIAN NIGHTS AS INTER-TEXT IN EIGHTEENTH AND NINETEENTH CENTURY BRITISH LITERATURE
THE ARABIAN NIGHTS AS INTER-TEXT IN EIGHTEENTH AND NINETEENTH CENTURY BRITISH LITERATURE
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THE ARABIAN NIGHTS AS INTER-TEXT IN EIGHTEENTH AND NINETEENTH CENTURY BRITISH LITERATURE
THE ARABIAN NIGHTS AS INTER-TEXT IN EIGHTEENTH AND NINETEENTH CENTURY BRITISH LITERATURE

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THE ARABIAN NIGHTS AS INTER-TEXT IN EIGHTEENTH AND NINETEENTH CENTURY BRITISH LITERATURE
THE ARABIAN NIGHTS AS INTER-TEXT IN EIGHTEENTH AND NINETEENTH CENTURY BRITISH LITERATURE
Journal Article

THE ARABIAN NIGHTS AS INTER-TEXT IN EIGHTEENTH AND NINETEENTH CENTURY BRITISH LITERATURE

2019
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Overview
[...]with the rise of literary theories emphasizing reader-response, source-oriented models of translation were questioned and gave place to communicative models that take into account not only the \" sourcelanguage/text\" and the \"receptor-language /text\" but their respective literary/textual systems as well the better to cater to the needs of the target audience. [...]Walter Benjamin writes that \"translation is so far removed from being the sterile equation of two dead languages that of all literary forms it is the one charged with the special mission of watching over the maturing process and the birth pangs of its own\" (Benjamin Walter. 1969:73). The purpose of Shell's book in general, and this chapter, in particular is to show the interaction between language on the one hand and money and thought in Western literature on the other. What Shell calls the inheritance of intellectual property is commonly referred to in literary criticism and literary theory as tradition.