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L’écoute musicale et ses enjeux dans Conversations avec le maître de Cécile Wajsbrot
by
Schulte Nordholt Annelies
in
Conversation
/ Creative process
/ Crítica literaria
/ Figuras literarias
/ French literature
/ Listening
/ Literary criticism
/ Literary devices
/ Literatura francesa
/ Music
/ Music and literature
/ Música y literatura
/ Narrative techniques
/ Novela
/ Novels
/ Reception (Artistic works)
/ Representaciones
/ Representations
/ Verbal communication
/ Wajsbrot, Cecile (1954- )
2021
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L’écoute musicale et ses enjeux dans Conversations avec le maître de Cécile Wajsbrot
by
Schulte Nordholt Annelies
in
Conversation
/ Creative process
/ Crítica literaria
/ Figuras literarias
/ French literature
/ Listening
/ Literary criticism
/ Literary devices
/ Literatura francesa
/ Music
/ Music and literature
/ Música y literatura
/ Narrative techniques
/ Novela
/ Novels
/ Reception (Artistic works)
/ Representaciones
/ Representations
/ Verbal communication
/ Wajsbrot, Cecile (1954- )
2021
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L’écoute musicale et ses enjeux dans Conversations avec le maître de Cécile Wajsbrot
by
Schulte Nordholt Annelies
in
Conversation
/ Creative process
/ Crítica literaria
/ Figuras literarias
/ French literature
/ Listening
/ Literary criticism
/ Literary devices
/ Literatura francesa
/ Music
/ Music and literature
/ Música y literatura
/ Narrative techniques
/ Novela
/ Novels
/ Reception (Artistic works)
/ Representaciones
/ Representations
/ Verbal communication
/ Wajsbrot, Cecile (1954- )
2021
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L’écoute musicale et ses enjeux dans Conversations avec le maître de Cécile Wajsbrot
Journal Article
L’écoute musicale et ses enjeux dans Conversations avec le maître de Cécile Wajsbrot
2021
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Overview
Conversations avec le maître, the first volume of a series called ‘Haute mer’, is a novel about the experience of listening to music. Through conversations between a composer and an anonymous young woman, it conveys crucial aspects of musical listening and of its verbal expression. This article examines the functioning of dialogue between the two characters; moreover, it studies the relationship between creation and reception, as expressed in the novel. It also examines what is at stake in this dialogue: the power of art in its relation to reality, to History. How may music become the echo of contemporary catastrophes? The article offers a close reading of the novel’s descriptions of listening to music: what literary techniques enable the author to put it into words?
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