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Reflections on Pleasure: The Fourteenth-Century Alhambra
by
et, Amanda Sharon
in
10th century
/ 11th century
/ Architecture
/ Calligraphy
/ Christian Islamic relations
/ Christianity
/ Christians
/ Cities
/ Culture
/ Diplomatic & consular services
/ Divinity
/ Gardens & gardening
/ God
/ History
/ Inscriptions
/ International Relations
/ Islam
/ Islamic art
/ Islamic Studies
/ Medieval history
/ Muslims
/ Patronage
/ Power
/ Public speaking
/ Religion
/ Theology
/ Traditions
2009
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Reflections on Pleasure: The Fourteenth-Century Alhambra
by
et, Amanda Sharon
in
10th century
/ 11th century
/ Architecture
/ Calligraphy
/ Christian Islamic relations
/ Christianity
/ Christians
/ Cities
/ Culture
/ Diplomatic & consular services
/ Divinity
/ Gardens & gardening
/ God
/ History
/ Inscriptions
/ International Relations
/ Islam
/ Islamic art
/ Islamic Studies
/ Medieval history
/ Muslims
/ Patronage
/ Power
/ Public speaking
/ Religion
/ Theology
/ Traditions
2009
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Do you wish to request the book?
Reflections on Pleasure: The Fourteenth-Century Alhambra
by
et, Amanda Sharon
in
10th century
/ 11th century
/ Architecture
/ Calligraphy
/ Christian Islamic relations
/ Christianity
/ Christians
/ Cities
/ Culture
/ Diplomatic & consular services
/ Divinity
/ Gardens & gardening
/ God
/ History
/ Inscriptions
/ International Relations
/ Islam
/ Islamic art
/ Islamic Studies
/ Medieval history
/ Muslims
/ Patronage
/ Power
/ Public speaking
/ Religion
/ Theology
/ Traditions
2009
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Dissertation
Reflections on Pleasure: The Fourteenth-Century Alhambra
2009
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Overview
The Nasrids were the last Islamic power on the Iberian Peninsula. They created a place of luxury and wealth in their hilltop fortress, the Alhambra, which is one of the best-preserved examples of medieval Islamic palace architecture. It was transformed in the thirteenth century into a palace-city and during most of its early history housed the most important figure in an Islamic society, the sultan. The Alhambra displays bare, natural elements on the exterior, while the interior mimics and references these natural elements in a grander fashion with gardens, fountains, beautiful vistas, sculpted porticos and lavish rooms. These interior spaces were settings for the sultan to display his wealth and power. In this thesis, I explore a selection of sites in the Alhambra by examining how decoration, courtyard gardens, water, and patronage reflect medieval Islamic notions of pleasure.Following the introduction, each chapter is focused on a specific place within the Alhambra: the Palace of the Lions, the Comares Palace, and the Royal Bath. All have survived relatively intact and date primarily to the fourteenth century. In order to best discuss pleasure, each chapter includes a discussion of building layout, decoration, gardens and the role of water, and patronage. Each section is discussed in relation to pleasure and will investigate the means by which the spaces provide pleasure.
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