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Becoming, Writing Home: The Journey Towards Self for Community in Under the Udala Trees and the Binti Trilogy
by
Nwabara, Olaocha Nwadiuto
in
becoming
/ being
/ Black culture
/ Colonialism
/ Community
/ Cosmology
/ Cultural heritage
/ Daughters
/ Families & family life
/ Healing
/ identity
/ Igbo cultural systems
/ Neocolonialism
/ Novels
/ Oppression
/ queer literature
/ Self concept
/ Self determination
/ Society
/ Solitude
/ Traditions
/ Trees
/ Women
2025
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Becoming, Writing Home: The Journey Towards Self for Community in Under the Udala Trees and the Binti Trilogy
by
Nwabara, Olaocha Nwadiuto
in
becoming
/ being
/ Black culture
/ Colonialism
/ Community
/ Cosmology
/ Cultural heritage
/ Daughters
/ Families & family life
/ Healing
/ identity
/ Igbo cultural systems
/ Neocolonialism
/ Novels
/ Oppression
/ queer literature
/ Self concept
/ Self determination
/ Society
/ Solitude
/ Traditions
/ Trees
/ Women
2025
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Do you wish to request the book?
Becoming, Writing Home: The Journey Towards Self for Community in Under the Udala Trees and the Binti Trilogy
by
Nwabara, Olaocha Nwadiuto
in
becoming
/ being
/ Black culture
/ Colonialism
/ Community
/ Cosmology
/ Cultural heritage
/ Daughters
/ Families & family life
/ Healing
/ identity
/ Igbo cultural systems
/ Neocolonialism
/ Novels
/ Oppression
/ queer literature
/ Self concept
/ Self determination
/ Society
/ Solitude
/ Traditions
/ Trees
/ Women
2025
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Becoming, Writing Home: The Journey Towards Self for Community in Under the Udala Trees and the Binti Trilogy
Journal Article
Becoming, Writing Home: The Journey Towards Self for Community in Under the Udala Trees and the Binti Trilogy
2025
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Overview
This paper focuses on the process of being and becoming as represented in the novels Under the Udala Trees and Binti (series). It draws from Igbo and Kemetan notions of self, identity, becoming, and destiny (chi na eke, khepert) to center the protagonists’ self-determination considering their oppressive environments. The protagonists, Ijeoma and Binti respectively, contend with who they are and are becoming alongside their neocolonial family and community expectations of its daughters. As a result, they are driven into isolation to determine self on their own terms. This paper argues that while they moved in solitude, this process is ultimately beneficial to their families and communities, offering decolonized methods of healing, and of moving towards one’s purpose. Drawing from pre-colonial Igbo cultures and traditions—as the authors are Igbo—the paper positions Under the Udala Trees and Binti as pieces that offer contemporary solutions to the global erasure or suppression of African and Black cultures and ways of existing.
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