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The Folly of Wit and Masquerade in Love’s Labour’s Lost
by
C. L. Barber
in
Acoustics
/ Animal sounds
/ Animal vocalization
/ Art music
/ Art songs
/ Arts
/ Behavioral sciences
/ Bioacoustics
/ Bird songs
/ Cognitive psychology
/ comedy
/ Emotion
/ Emotional states
/ Entertainment
/ festive play
/ Games
/ High culture
/ Human populations
/ Human societies
/ Language
/ Language acts
/ Leisure studies
/ Linguistics
/ Literary Theory and Cultural Studies
/ Love
/ Love's Labour's Lost
/ Masques
/ Men
/ Performing arts
/ Persons
/ Physical sciences
/ Physics
/ Population studies
/ Princesses
/ Psychology
/ Recreation
/ Royalty
/ Shakespeare
/ Social classes
/ Social sciences
/ Social stratification
/ Social structures
/ Sociology
/ Theater
/ Theater history
/ Theatrical genres
/ Upper class
/ Wordplay
2011
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The Folly of Wit and Masquerade in Love’s Labour’s Lost
by
C. L. Barber
in
Acoustics
/ Animal sounds
/ Animal vocalization
/ Art music
/ Art songs
/ Arts
/ Behavioral sciences
/ Bioacoustics
/ Bird songs
/ Cognitive psychology
/ comedy
/ Emotion
/ Emotional states
/ Entertainment
/ festive play
/ Games
/ High culture
/ Human populations
/ Human societies
/ Language
/ Language acts
/ Leisure studies
/ Linguistics
/ Literary Theory and Cultural Studies
/ Love
/ Love's Labour's Lost
/ Masques
/ Men
/ Performing arts
/ Persons
/ Physical sciences
/ Physics
/ Population studies
/ Princesses
/ Psychology
/ Recreation
/ Royalty
/ Shakespeare
/ Social classes
/ Social sciences
/ Social stratification
/ Social structures
/ Sociology
/ Theater
/ Theater history
/ Theatrical genres
/ Upper class
/ Wordplay
2011
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Do you wish to request the book?
The Folly of Wit and Masquerade in Love’s Labour’s Lost
by
C. L. Barber
in
Acoustics
/ Animal sounds
/ Animal vocalization
/ Art music
/ Art songs
/ Arts
/ Behavioral sciences
/ Bioacoustics
/ Bird songs
/ Cognitive psychology
/ comedy
/ Emotion
/ Emotional states
/ Entertainment
/ festive play
/ Games
/ High culture
/ Human populations
/ Human societies
/ Language
/ Language acts
/ Leisure studies
/ Linguistics
/ Literary Theory and Cultural Studies
/ Love
/ Love's Labour's Lost
/ Masques
/ Men
/ Performing arts
/ Persons
/ Physical sciences
/ Physics
/ Population studies
/ Princesses
/ Psychology
/ Recreation
/ Royalty
/ Shakespeare
/ Social classes
/ Social sciences
/ Social stratification
/ Social structures
/ Sociology
/ Theater
/ Theater history
/ Theatrical genres
/ Upper class
/ Wordplay
2011
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Book Chapter
The Folly of Wit and Masquerade in Love’s Labour’s Lost
2011
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Overview
It seems likely that when inLove’s Labour’s LostShakespeare turned to festivity for the materials from which to fashion a comedy, he did so because he had been commissioned to produce something for performance at a noble entertainment. There can be no doubt about this in the case ofA Midsummer Night’s Dream, though just what noble wedding was graced by Shakespeare’s dramatic epithalamium no one has been able to determine.¹ But though nothing inLove’s Labour’s Lostpoints unambiguously out across the dramatic frame to an original occasion, the way the fairy blessing does at the end of
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