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From Plaster to Bronze
by
ALEXANDER M. SCHENKER
in
Accidents
/ Alloys
/ Applied sciences
/ Artists
/ Arts
/ Behavioral sciences
/ Biochemistry
/ Biological sciences
/ Biomolecules
/ Bronzes
/ Construction materials
/ Construction technology
/ Copper alloys
/ Economic disciplines
/ Economics
/ Employment
/ Empresses
/ Equestrian statues
/ Fluid dynamics
/ Fluid mechanics
/ Furnaces
/ Government
/ Government officials
/ Heads of state
/ Heating equipment
/ Human societies
/ Labor economics
/ Lipids
/ Macromolecules
/ Mass flow
/ Material concentration
/ Materials science
/ Mechanics
/ Metallurgy
/ Monarchs
/ Occupations
/ Physical sciences
/ Physics
/ Plasters
/ Plastic arts
/ Political science
/ Pouring
/ Public safety
/ Sculptors
/ Sculpture
/ Sculpture in the round
/ Sociology
/ Statues
/ Technology
/ Visual arts
/ Waxes
2003
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From Plaster to Bronze
by
ALEXANDER M. SCHENKER
in
Accidents
/ Alloys
/ Applied sciences
/ Artists
/ Arts
/ Behavioral sciences
/ Biochemistry
/ Biological sciences
/ Biomolecules
/ Bronzes
/ Construction materials
/ Construction technology
/ Copper alloys
/ Economic disciplines
/ Economics
/ Employment
/ Empresses
/ Equestrian statues
/ Fluid dynamics
/ Fluid mechanics
/ Furnaces
/ Government
/ Government officials
/ Heads of state
/ Heating equipment
/ Human societies
/ Labor economics
/ Lipids
/ Macromolecules
/ Mass flow
/ Material concentration
/ Materials science
/ Mechanics
/ Metallurgy
/ Monarchs
/ Occupations
/ Physical sciences
/ Physics
/ Plasters
/ Plastic arts
/ Political science
/ Pouring
/ Public safety
/ Sculptors
/ Sculpture
/ Sculpture in the round
/ Sociology
/ Statues
/ Technology
/ Visual arts
/ Waxes
2003
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From Plaster to Bronze
by
ALEXANDER M. SCHENKER
in
Accidents
/ Alloys
/ Applied sciences
/ Artists
/ Arts
/ Behavioral sciences
/ Biochemistry
/ Biological sciences
/ Biomolecules
/ Bronzes
/ Construction materials
/ Construction technology
/ Copper alloys
/ Economic disciplines
/ Economics
/ Employment
/ Empresses
/ Equestrian statues
/ Fluid dynamics
/ Fluid mechanics
/ Furnaces
/ Government
/ Government officials
/ Heads of state
/ Heating equipment
/ Human societies
/ Labor economics
/ Lipids
/ Macromolecules
/ Mass flow
/ Material concentration
/ Materials science
/ Mechanics
/ Metallurgy
/ Monarchs
/ Occupations
/ Physical sciences
/ Physics
/ Plasters
/ Plastic arts
/ Political science
/ Pouring
/ Public safety
/ Sculptors
/ Sculpture
/ Sculpture in the round
/ Sociology
/ Statues
/ Technology
/ Visual arts
/ Waxes
2003
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From Plaster to Bronze
2003
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Overview
The matter of casting thePeter the Greatwas left open in the contract drawn in Paris by Prince D. A. Golitsyn and Falconet. The first clause specified merely that Falconet was being charged “with the composition and execution of the monument which will consist principally of an equestrian statue of colossal dimensions.”¹ The question of who would choose the founder and decide on the details of casting was left to the good sense and good will of the participating parties, a presumption which, as it turned out, was all too optimistic.
The omission of an explicit mention of casting
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