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INTRODUCTION
by
Ellen Elias-Bursać
in
American literature
/ Anthropology
/ Applied anthropology
/ Armed conflict
/ Artists
/ Arts
/ Behavioral sciences
/ Clergy
/ Comparative literature
/ Cultural anthropology
/ Cyclopes
/ Economic disciplines
/ Economics
/ Employment
/ Ethnography
/ Ethnology
/ European studies
/ Fiction
/ Folklore
/ Folkloristics
/ Irony
/ Labor economics
/ Literary criticism
/ Literary devices
/ Literary genres
/ Literary studies
/ Literature
/ Military science
/ Mythological creatures
/ Novelists
/ Novels
/ Occupations
/ Poetry
/ Political science
/ Practical theology
/ Priests
/ Religion
/ Slavic culture
/ Slavic studies
/ Spiritual leaders
/ Theology
/ War
/ War theaters
/ World literature
/ World wars
/ Writers
2010
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INTRODUCTION
by
Ellen Elias-Bursać
in
American literature
/ Anthropology
/ Applied anthropology
/ Armed conflict
/ Artists
/ Arts
/ Behavioral sciences
/ Clergy
/ Comparative literature
/ Cultural anthropology
/ Cyclopes
/ Economic disciplines
/ Economics
/ Employment
/ Ethnography
/ Ethnology
/ European studies
/ Fiction
/ Folklore
/ Folkloristics
/ Irony
/ Labor economics
/ Literary criticism
/ Literary devices
/ Literary genres
/ Literary studies
/ Literature
/ Military science
/ Mythological creatures
/ Novelists
/ Novels
/ Occupations
/ Poetry
/ Political science
/ Practical theology
/ Priests
/ Religion
/ Slavic culture
/ Slavic studies
/ Spiritual leaders
/ Theology
/ War
/ War theaters
/ World literature
/ World wars
/ Writers
2010
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INTRODUCTION
by
Ellen Elias-Bursać
in
American literature
/ Anthropology
/ Applied anthropology
/ Armed conflict
/ Artists
/ Arts
/ Behavioral sciences
/ Clergy
/ Comparative literature
/ Cultural anthropology
/ Cyclopes
/ Economic disciplines
/ Economics
/ Employment
/ Ethnography
/ Ethnology
/ European studies
/ Fiction
/ Folklore
/ Folkloristics
/ Irony
/ Labor economics
/ Literary criticism
/ Literary devices
/ Literary genres
/ Literary studies
/ Literature
/ Military science
/ Mythological creatures
/ Novelists
/ Novels
/ Occupations
/ Poetry
/ Political science
/ Practical theology
/ Priests
/ Religion
/ Slavic culture
/ Slavic studies
/ Spiritual leaders
/ Theology
/ War
/ War theaters
/ World literature
/ World wars
/ Writers
2010
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Book Chapter
INTRODUCTION
2010
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Overview
Making his way through a crowded Zagreb square one evening on the eve of World War II, Melkior Tresić catches sight of a priest with familiar, jutting ears. The priest, we learn, had taught him catechism during his childhood in Dalmatia. The fleeting glimpse of the Dalmatian priest in the opening pages of this quintessentially Zagreb novel is Ranko Marinković’s nod to his native Dalmatia. The nod tells us that Melkior Tresić is an outside insider, someone who, like Marinković, came to the city as a student, and who sees Zagreb as someone born there never could. Marinković captures Zagreb’s
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