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Welcome to the Post-Anthropolis: Urban Space and Climate Change in Nathaniel Rich's Odds Against Tomorrow, Lev Rosen's Depth, and Kim Stanley Robinson's New York 2140
Welcome to the Post-Anthropolis: Urban Space and Climate Change in Nathaniel Rich's Odds Against Tomorrow, Lev Rosen's Depth, and Kim Stanley Robinson's New York 2140
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Welcome to the Post-Anthropolis: Urban Space and Climate Change in Nathaniel Rich's Odds Against Tomorrow, Lev Rosen's Depth, and Kim Stanley Robinson's New York 2140
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Welcome to the Post-Anthropolis: Urban Space and Climate Change in Nathaniel Rich's Odds Against Tomorrow, Lev Rosen's Depth, and Kim Stanley Robinson's New York 2140
Welcome to the Post-Anthropolis: Urban Space and Climate Change in Nathaniel Rich's Odds Against Tomorrow, Lev Rosen's Depth, and Kim Stanley Robinson's New York 2140

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Welcome to the Post-Anthropolis: Urban Space and Climate Change in Nathaniel Rich's Odds Against Tomorrow, Lev Rosen's Depth, and Kim Stanley Robinson's New York 2140
Welcome to the Post-Anthropolis: Urban Space and Climate Change in Nathaniel Rich's Odds Against Tomorrow, Lev Rosen's Depth, and Kim Stanley Robinson's New York 2140
Journal Article

Welcome to the Post-Anthropolis: Urban Space and Climate Change in Nathaniel Rich's Odds Against Tomorrow, Lev Rosen's Depth, and Kim Stanley Robinson's New York 2140

2020
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Overview
Three recent climate fictions set in New York City—Nathaniel Rich's Odds Against Tomorrow (2013), Lev Rosen's Depth (2015), and Kim Stanley Robinson's New York 2140 (2017)—reimagine urban space in climate crisis. Reflecting contemporary concerns, Rich, Rosen, and Robinson represent Manhattan in novel ways: as an ecosystem and a multi-species habitat. This imaginary city reaches deep into the bedrock and expands into (and beyond) the New York Bight to reveal a vaster, unfamiliar, less human-centered eco-polis. Although the novels depart from anthropocentric traditions of urban representation, their portrayals of the relationship between the city and its environment recall Romantic and colonial tropes (the aesthetization of “nature” as an autonomous realm, the romance of wilderness, the erasure of Native histories). These fictions highlight the challenge of forging new spatial imaginaries for the Anthropocene.