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Imagining Mastorna
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Book Chapter
Imagining Mastorna
2013
Overview
Like8½, Fellini’s next film,Giulietta degli spiriti(1965) lavishly blended memories, dreams, fantasy and desire, this time with an increasingly explicit interest in analytical psychology and the esoteric. Unlike8½, it was poorly received. Critics complained of its excessive symbolism, protracted fantasy scenes, the reiterated childhood memory of the repression of sexuality by the Catholic Church, and the schematic visions of femininity, which gave the film an overblown baroque feel. It was considered self-indulgent and self-referential (fingers were pointed at the harem scene repeated from8½– as it would be again, in a final attempt to assuage feminist critics,
