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Lyric poetry
by
Mutlu Konuk Blasing
in
Alliteration
/ Anagram
/ Analogy
/ Anna O
/ Anne Sexton
/ Assonance
/ Cognition
/ Consciousness
/ Consonant
/ Dismemberment
/ Epigraphy
/ Etymology
/ Feeling
/ Formality
/ Genre
/ Grammar
/ History and criticism
/ I. A. Richards
/ Ideology
/ Imagery
/ Individuation
/ Infant
/ Jonathan Culler
/ Jouissance
/ Julia Kristeva
/ Language & Literature
/ Language acquisition
/ Libido
/ Linguistic system
/ LITERARY CRITICISM
/ LITERARY CRITICISM / Poetry
/ Literature
/ Lyric poetry
/ Lyric poetry -- History and criticism
/ Mental projection
/ Metaphor
/ Narrative
/ Nonsense
/ Onomatopoeia
/ Oral tradition
/ Phenomenon
/ Phoneme
/ Phrase
/ Poetry
/ Postmodernism
/ Prehistory
/ Pretext
/ Princeton University Press
/ Prose
/ Psychiatry
/ Psychoanalysis
/ Pun
/ Rhetoric
/ Rhyme
/ Second language
/ Socialization
/ Stanza
/ Subjectivity
/ Symbolic language (literature)
/ Symbolic system
/ Symptom
/ T. S. Eliot
/ The Cantos
/ Theory
/ Theory of Forms
/ Thought
/ Two Kinds
/ Typewriter
/ Uncanny
/ Understanding
/ Vowel
/ Wallace Stevens
/ Writer
/ Writing
2007,2009,2006
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Lyric poetry
by
Mutlu Konuk Blasing
in
Alliteration
/ Anagram
/ Analogy
/ Anna O
/ Anne Sexton
/ Assonance
/ Cognition
/ Consciousness
/ Consonant
/ Dismemberment
/ Epigraphy
/ Etymology
/ Feeling
/ Formality
/ Genre
/ Grammar
/ History and criticism
/ I. A. Richards
/ Ideology
/ Imagery
/ Individuation
/ Infant
/ Jonathan Culler
/ Jouissance
/ Julia Kristeva
/ Language & Literature
/ Language acquisition
/ Libido
/ Linguistic system
/ LITERARY CRITICISM
/ LITERARY CRITICISM / Poetry
/ Literature
/ Lyric poetry
/ Lyric poetry -- History and criticism
/ Mental projection
/ Metaphor
/ Narrative
/ Nonsense
/ Onomatopoeia
/ Oral tradition
/ Phenomenon
/ Phoneme
/ Phrase
/ Poetry
/ Postmodernism
/ Prehistory
/ Pretext
/ Princeton University Press
/ Prose
/ Psychiatry
/ Psychoanalysis
/ Pun
/ Rhetoric
/ Rhyme
/ Second language
/ Socialization
/ Stanza
/ Subjectivity
/ Symbolic language (literature)
/ Symbolic system
/ Symptom
/ T. S. Eliot
/ The Cantos
/ Theory
/ Theory of Forms
/ Thought
/ Two Kinds
/ Typewriter
/ Uncanny
/ Understanding
/ Vowel
/ Wallace Stevens
/ Writer
/ Writing
2007,2009,2006
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Do you wish to request the book?
Lyric poetry
by
Mutlu Konuk Blasing
in
Alliteration
/ Anagram
/ Analogy
/ Anna O
/ Anne Sexton
/ Assonance
/ Cognition
/ Consciousness
/ Consonant
/ Dismemberment
/ Epigraphy
/ Etymology
/ Feeling
/ Formality
/ Genre
/ Grammar
/ History and criticism
/ I. A. Richards
/ Ideology
/ Imagery
/ Individuation
/ Infant
/ Jonathan Culler
/ Jouissance
/ Julia Kristeva
/ Language & Literature
/ Language acquisition
/ Libido
/ Linguistic system
/ LITERARY CRITICISM
/ LITERARY CRITICISM / Poetry
/ Literature
/ Lyric poetry
/ Lyric poetry -- History and criticism
/ Mental projection
/ Metaphor
/ Narrative
/ Nonsense
/ Onomatopoeia
/ Oral tradition
/ Phenomenon
/ Phoneme
/ Phrase
/ Poetry
/ Postmodernism
/ Prehistory
/ Pretext
/ Princeton University Press
/ Prose
/ Psychiatry
/ Psychoanalysis
/ Pun
/ Rhetoric
/ Rhyme
/ Second language
/ Socialization
/ Stanza
/ Subjectivity
/ Symbolic language (literature)
/ Symbolic system
/ Symptom
/ T. S. Eliot
/ The Cantos
/ Theory
/ Theory of Forms
/ Thought
/ Two Kinds
/ Typewriter
/ Uncanny
/ Understanding
/ Vowel
/ Wallace Stevens
/ Writer
/ Writing
2007,2009,2006
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Lyric poetry
2007,2009,2006
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Overview
Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the \"I\" in a lyric poem, and how is it created? InLyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself.
In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric \"I\" speaks, from first to last, as a creation of poetic language.
Publisher
Princeton University Press
Subject
/ Anagram
/ Analogy
/ Anna O
/ Feeling
/ Genre
/ Grammar
/ Ideology
/ Imagery
/ Infant
/ Libido
/ Lyric poetry -- History and criticism
/ Metaphor
/ Nonsense
/ Phoneme
/ Phrase
/ Poetry
/ Pretext
/ Prose
/ Pun
/ Rhetoric
/ Rhyme
/ Stanza
/ Symbolic language (literature)
/ Symptom
/ Theory
/ Thought
/ Uncanny
/ Vowel
/ Writer
/ Writing
ISBN
1400827418, 9780691126821, 9781400827411, 0691126828
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