Asset Details
Do you wish to reserve the book?
Sexuality and Objectification in Dastan Narratives: Women as Objects of Desire in Hoshruba, the Land and the Tilism (Book 1)
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
Sexuality and Objectification in Dastan Narratives: Women as Objects of Desire in Hoshruba, the Land and the Tilism (Book 1)
Do you wish to request the book?
Sexuality and Objectification in Dastan Narratives: Women as Objects of Desire in Hoshruba, the Land and the Tilism (Book 1)
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Journal Article
Sexuality and Objectification in Dastan Narratives: Women as Objects of Desire in Hoshruba, the Land and the Tilism (Book 1)
2019
Overview
The writers of dastan narratives reflect their age-old contextual desire(s) in fictional experiences. The never-ending popularity of these ideologically romantic tales is significant in the history of Urdu language and literature. Metonymically, the dastan, Tilism-e-Hoshruba, encompasses the much celebrated theme of Dastan-e-Amir Hamza-an eternal battle between virtue and vice-in its narrative discourse, but the quickness of the fantasized actions makes this dastan phantasmagorically more thrilling. Despite being enormous source(s) of narrative pleasure in the Subcontinent, these classical discursive practices prove to be an explicit reflection of the textual and sexual politics traditionally perpetuated in the Indo-Islamic patriarchal structures. The rendition of female characters, for instance, in the narrative discourse of Hoshruba, depends on the patriarchal modes of production and representation pre-existing in classical cultural contexts. Presented as alluring objects of the ideological syntax, many of the women in these fictional texts customarily remain victim to the patriarchal narrative gaze. The narrators of dastan employ an evocatively figurative language in sensationalizing the graphic description of the female characters in Hoshruba. From seductions to submissions, all of their acts are pre-eminently destined to serve the phallogocentric desires of their authors, audience and chivalrous heroes. This paper, therefore, is the critical study of the patterns of desire(s) with reference to sexuality and the culture of objectification in Dastan Hoshruba, the Land and the Tilism, Book 1.1 By intersecting romance and sexuality, it also aims at exploring the narrative units of desire that objectify the sexuality of female characters through the mechanics of fantasy and gaze.
